This work is divided then into three sections: in the first, the most outstanding characteristics of the narrative written by women on the subject of death are pointed out in the second and third parts the texts of Venegas and Jufresa are analyzed from the duel and the overcoming of it thanks to nostalgia, the central theme of our study.Ģ. Thus, the aim of this work is to analyze the figure of nostalgia after the loss of a loved one that is present in Venegas’ and Jufresa’s aforementioned novels, while trying to outline a brief overview of the most outstanding features of the Mexican narrative written by women. In this narrative line, so constantly referred to by Mexican authors (starting from Juan Rulfo’s Pedro Páramo, followed by Jorge Ibargüengoitia’s Las Muertas, to the present time, with Vizania Amezcua’s Una manera de morir, among others), we find Socorro Venegas and Laia Jufresa, with their novels Vestido de novia (Tusquets, 2014) and Umami (Literatura Random House, 2015), respectively. They re-explore the private world, but not from a denouncing perspective, as once was the case of Rosario Castellanos, Inés Arredondo, or Elena Garro, but from a profound reflection upon death. Thus, being before a prestigious group of female authors who manage to recreate the social situation Mexico is going through is not surprising.īe as it may, out of this female author fusion, two writers stand out. Hence, young female authors (born during the 1970s and onwards) have greater access to the publishing world and, therefore, to publications. The uprise of female writers in Mexico is largely due to feminist struggles, that have managed to break ground and overcome obstacles that seemed unwavering. In this sense, we can say that Mexican female writers, particularly those born in 1960, have diversified their topics and literary searches thanks to a greater participation of women in the public and occupational sectors. And I’ll keep Mike-ing.Mexican literature written by women has gradually decentralized its focus of attention, from the concern to portraying the intimate and private world of women to the representation, among other topics, of the violence the country suffers from. Step away from your computer, pick up some Ricolino and Vero sweets, and reminisce about the good old days! Remember, just because you’re no longer a kid doesn’t mean you can’t enjoy a candy break. Well mitú familia, I hope you enjoyed this blast from the past as much as I did. Trust me when I say Vero Mango absolutely holds up as well as you remember…maybe even better! ![]() Once I tasted that, regular candy just didn’t do it for me anymore. Eating this as a kid was the first time I remember experiencing the beautiful mixture of sweet and spicy. It doesn’t get more classic than a Vero Mango lollipop. ![]() And even better, after you get that smile, you get to eat it! 1. I could always count on this little guy to greet me with a big ole’ grin. When I was a kid, that smile came from my mom, my bff, or from Paleta Payaso. When all we need is a little smile to cheer us up. ![]() Those days when we feel like nothing is going our way. ![]() And you know what? He’s going to love these. Sure, I wasn’t transported back to my past. Tangy chamoy flavor with that intense spicy Takis seasoning is a match made in heaven. Pero if it was a mistake, it’s a delicious mistake. So when I first heard Takis + lollipop, I thought it was a mistake. Look, I’m gonna be honest: this is a newer candy that was not around when I was a kid. What’s better than marshmallow? How about chocolate and jelly? Oh, still not enough you say? Dip that whole thing in chocolate, and you’ve got a Bubulubu my friend! This chewy, gooey delight is the ultimate after lunch treat. Mike’s Likes Pro Tip: take 5 or 6 of these bad hombres and shove ’em in your mouth for a blast of flavor. Everyone loves gummies, but Pica Fresa takes it to the next level by covering these sweet little strawberry snacks in spicy chili powder.
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